The earliest of these recordings is a 1974 from Mass Transit Bookstore in Washington, D.C., where he read alongside John Ashbery (Trinidad notes that you can hear Ashbery in the background reacting to Dlugos' poems). Dlugos notes that he's only going to read one poem "from the book" (High There, his debut chapbook published by Some of Us Press in 1973) in this nearly forty-minute set, which includes a number of early favorites like "American Baseball" and "Gilligan's Island," along with "Great Art," "So Far," "Flaming Angel," "Poem for Jeanne," "Dream Series," "President Truman," and "As It Is." This recording also includes a number of unpublished early poems ("Sexual Postures," "Gypsy," and "The Eyes of Our Hearts") as well as a shorter draft version of "Stanzas for Martina" (written for Tina Darragh) than what was eventually published.
An undated home recording made by Dlugos in D.C. appears to be from not long thereafter. Running twenty-six minutes, this set begins with a bold proclamation, "from high above DuPont Circle in Washington, D.C. to your machines, this is Tim Dlugos . . . and this is 'John Tongue,'" before launching into the poem of the same name. He also reads "Poppers," "Great Books of the 1950s," and "Some," along with some titles from the previous recording ("As It Is," "American Baseball," "Stanzas for Martina"). This tape also includes a few unpublished pieces: "Dream With You In It," excerpts from a January 1975 dream journal similar to "Dream Series," and a piece from the series Music (for Maurice Sendak) based on Rachmaninoff's second symphony.
Last, but certainly not least, we have Dlugos' 1984 reading with Dennis Cooper at Venice, CA's beloved Beyond Baroque. This forty-minute set consists of ten poems in total, starting with "Pretty Convincing," and moving on to "Close," "Sonnet ["Stevie Nicks walks into the Parisian weather"]," "The Nineteenth Century is 183 Years Old," "Octavian," "Not Stravinsky," "Green Acres," "Summer, South Brooklyn," and "The Morning," before concluding with the long poem "Cape and Islands." When sending the recordings along, Trinidad reminisced, "I was there; it was a spectacular reading," and I agree with him wholeheartedly. You will too.
These three recordings join those already in the PennSound archives, including his 1977 appearance on Public Access Poetry and a segmented 1978 Segue Series reading from the Ear Inn where Dlugos reads "Sonnet for Eileen Myles," "Je Suis Ein Americano," and "A Day for Don and Vladimir," along with several of the perennial favorites listed above.
